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Anon watches youtube

⁨461⁩ ⁨likes⁩

Submitted ⁨⁨2⁩ ⁨days⁩ ago⁩ by ⁨Early_To_Risa@sh.itjust.works⁩ to ⁨greentext@sh.itjust.works⁩

https://sh.itjust.works/pictrs/image/236ed799-be91-4dba-9577-1e1963454e3c.jpeg

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  • Auth@lemmy.world ⁨2⁩ ⁨days⁩ ago

    Most youtubers are businesses owned by corporate networks. The person on screen is just the talent pretending to be an organic channel.

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    • rtxn@lemmy.world ⁨1⁩ ⁨day⁩ ago

      I don’t understand why people are so shocked and horrified when it turns out that people who do entertainment for a living have been professional entertainers the whole time.

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      • angstylittlecatboy@reddthat.com ⁨1⁩ ⁨day⁩ ago

        It’s because YouTube used to be mostly independent creators, even when people first started making money off it. That was the sales pitch.

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      • rumschlumpel@feddit.org ⁨16⁩ ⁨hours⁩ ago

        Most of them are pretending that they aren’t corporate. YouTubers are generally trying to keep up the illusion of authenticity, which on YouTube usually includes pretending that you’re on your own.

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      • Auth@lemmy.world ⁨1⁩ ⁨day⁩ ago

        I dont care if they are a 1 person business or a small team. What im talking about is when a Giant multinational corporation buys up 1000s of youtube channels. I want to watch 1 person or a small team not a big talent corp

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    • Mac@mander.xyz ⁨2⁩ ⁨days⁩ ago

      Veritasium is partially owned by Vulture Capitalists.

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      • casmael@mander.xyz ⁨1⁩ ⁨day⁩ ago

        Is that a true fact?

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    • breakingcups@lemmy.world ⁨2⁩ ⁨days⁩ ago

      Most?

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      • victorz@lemmy.world ⁨1⁩ ⁨day⁩ ago

        99.9999999% of stats are made up.

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      • Dreaming_Novaling@lemmy.zip ⁨1⁩ ⁨day⁩ ago

        Yeah, was gonna say this. Like what YTs are y’all watching? My subscriptions and recommendations are randos playing games with their friends, memes, cat vids, and randos talking about interesting topics or the latest shitty Tiktok trend that I can be horrified by. I’m very lost as to everyone only finding these talent/corporate YTs.

        I definitely have encountered the corporate YTs in the VTuber community, and I honestly think that’s why I hate Agency VTs so much compared to indie VTs. Watching Hololive/Kurosanji is like watching a bunch of coworkers play Mario Kart. Yeah, you “know” them and “get along”, but only in the superficial sense, cause you have to pay your bills. The shit always blows up later on anyway. Way more fun to watch some random with a mid setup play some obscure horror game by themselves or with actual friends.

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    • perviouslyiner@lemmy.world ⁨10⁩ ⁨hours⁩ ago

      Obligatory Micro video about it: www.youtube.com/watch?v=hJ-rRXWhElI

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  • DandomRude@lemmy.world ⁨1⁩ ⁨day⁩ ago

    Sometimes I get the impression that social media fame is continuing the narrative of the American dream worldwide: strangely enough, many people assume that it happens regularly that someone steps out of their parent’s bedroom, records a few videos, and overnight, without much effort, becomes a multimillionaire – just like that.

    This is the absolute exception and has hardly happened at all for a long time. Online, it’s long been like the real world economy: without the support of powerful players, it’s basically impossible for anyone to become successful. It’s a tough business with an endless number of competing content producers, from whom influential financiers can choose the content and the faces to go with it and pocket the lion’s share.

    And there is yet another misconception underlying the illusion of quick money: you only earn enough to live on once you have a certain reach – something very few people achieve. Most work hard for ridiculously low amounts, if they earn anything at all.

    Consumers, on the other hand, persist in the attitude that the internet has taught them over the last twenty years: they expect high-quality content on a daily basis without having to pay anything for that. They assume that the producers of this content earn good money from it, but in the vast majority of cases - and if there is any money made in the first place - this is not true at all, because it is not the creative people who earn the big, but those who exploit them.

    Anyone who believes that content producers can finance themselves through voluntary donations is usually completely wrong — Wikipedia’s fundraising campaigns, in which only a tiny percentage of users contribute anything, are just one example of many, even though Wikipedia is one of the most visited websites in many countries around the world.

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    • Valmond@lemmy.world ⁨1⁩ ⁨day⁩ ago

      It’s like the gold diggers and the shovel sellers, guess who came out on top…

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      • DandomRude@lemmy.world ⁨1⁩ ⁨day⁩ ago

        Exactly, it’s the American dream that has always been propagated to conceal the true circumstances and thus ensure that everything stays the same.

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    • rumschlumpel@feddit.org ⁨16⁩ ⁨hours⁩ ago

      Anyone who believes that content producers can finance themselves through voluntary donations is usually completely wrong

      It works quite well on Twitch - if you have a lot of viewers on Twitch, you usually get enough donations to live off of. YouTube just never managed to find a good way to make creators profit directly from their content.

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      • DandomRude@lemmy.world ⁨15⁩ ⁨hours⁩ ago

        Yes, having a large audience is the problem. If you have that, you can earn good money on YouTube too, especially since you can sign additional marketing deals. The thing is, though, that getting a large audience is anything but easy—most people who try fail.

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    • chicken@lemmy.dbzer0.com ⁨1⁩ ⁨day⁩ ago

      from whom influential financiers can choose the content and the faces to go with it and pocket the lion’s share.

      How? This kind of doesn’t make sense to me because it seems like some kind of talent manager wouldn’t have a lot to offer in terms of actually increasing someone’s chances of making it big on social media, if it’s a type of content that doesn’t require any special resources to produce and is suited to being made by one person.

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      • DandomRude@lemmy.world ⁨1⁩ ⁨day⁩ ago

        There are basically two approaches:

        • Social media agencies that manage company accounts on behalf of their clients and have their employees produce content for them.
        • Agencies that operate their own accounts, which are financed through product placement, e-commerce (mostly dropshipping), or affiliate marketing.

        Typically, these companies pursue both approaches simultaneously.

        What they offer the actual content producers, i.e., the (sometimes even pseudo-self-employed) employees, is the following:

        • A salary or at least project-based remuneration.
        • A network of contacts to advertising customers and thus lucrative sources of revenue that are pretty much unattainable for individuals without significant reach.
        • A network of contacts to other “influencers” in order to gain subscribers, etc. through strategic cooperation
        • Professional equipment (cameras, dongles, drones, video editing applications and so on)
        • In some cases, substantial advertising budgets for ads to promote new accounts (performance marketing) and, in the case of campaigns for external clients, “seals of approval” from meta (“Facebook Partner” for example — these seals are only issued to companies who spend a significant amount on advertising on the respective platform).
        • Opportunities to collaborate with other employees of the company, which can also create network effects.

        There are certainly other advantages, but the key point is the contact with advertising customers, i.e., companies that want to engage in social media marketing. These contacts are only accessible to private individuals if they already have one or multiple successful accounts, which unfortunately only very few of those aspiring to a professional career in this field ever achieve.

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    • lemmyknow@lemmy.today ⁨1⁩ ⁨day⁩ ago

      Once again, everything revolves around 'Murica

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      • samus12345@sh.itjust.works ⁨1⁩ ⁨day⁩ ago

        Hopefully that era will finally be coming to a close soon.

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  • steeznson@lemmy.world ⁨1⁩ ⁨day⁩ ago

    Image

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    • festnt@sh.itjust.works ⁨1⁩ ⁨day⁩ ago

      is this real

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      • ShaggySnacks@lemmy.myserv.one ⁨1⁩ ⁨day⁩ ago

        Video.

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      • steeznson@lemmy.world ⁨1⁩ ⁨day⁩ ago

        yes

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    • FinalRemix@lemmy.world ⁨1⁩ ⁨day⁩ ago

      Those dull cow eyes with nothing behind them…

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  • pulsewidth@lemmy.world ⁨1⁩ ⁨day⁩ ago

    This is exactly the story behind Hot Ones and I disliked it from first view. Commenters like ‘OMG how does he get these guests. So glad he’s succeeding.’ Dude it’s literally a corporation.

    Just a ‘late night show’ format for celebrities to sell their latest book/movie in gen Z format.

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    • tetris11@feddit.uk ⁨20⁩ ⁨hours⁩ ago

      Chris Spargo is one of the few I think is legit. Least I hope so

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  • Sabata11792@ani.social ⁨1⁩ ⁨day⁩ ago

    OOP found out his favorite Vtuber is actually a corpo ad platform.

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  • Object@sh.itjust.works ⁨2⁩ ⁨days⁩ ago

    Even then, it’s probably a fancy word for buying stats from sites like smmkings.com/services.

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    • halvar@lemy.lol ⁨1⁩ ⁨day⁩ ago

      what why would you link to it

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      • Object@sh.itjust.works ⁨1⁩ ⁨day⁩ ago

        I was linking to it to show all sorts of things that can be manipulated, but now that I look back to it, it does look like I’m promoting it. Yeah, I’ll remove it.

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  • kieron115@startrek.website ⁨1⁩ ⁨day⁩ ago

    Don’t be jelly bc you can’t afford a talent agent

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  • QueenHawlSera@sh.itjust.works ⁨1⁩ ⁨day⁩ ago

    No one actually succeeds on YouTube. They’re all just industry plants.

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  • j4k3@lemmy.world ⁨1⁩ ⁨day⁩ ago
    [deleted]
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    • idegenszavak@sh.itjust.works ⁨1⁩ ⁨day⁩ ago

      Image

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      • real_squids@sopuli.xyz ⁨1⁩ ⁨day⁩ ago

        Stopped reading after “if it’s promoted by YT it’s not worth watching”, that shit is based on your recently watched channels if your account settings aren’t all fucked up.
        If you turn off history - yeah, you’ll get default recommendations and those are cancer. Probably the only good reason to turn history on. Even then, it’s a bandaid on a horrible UI that gets worse every update.

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  • victorz@lemmy.world ⁨1⁩ ⁨day⁩ ago

    Currently watching a bunch of videos detailing the fall of PirateSoftware. Such a sad person.

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  • JasonMcCrea@lemmy.world ⁨1⁩ ⁨day⁩ ago

    Ever feel nostalgic for simpler times? I do! What brings me back? Playing old flash games. Remember wasting hours on addictinggames.com? I definitely do! Now, I’m suddenly craving a trip back to Papa’s Freezeria .

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    • lessthanluigi@lemmy.sdf.org ⁨1⁩ ⁨day⁩ ago

      You and your yes states

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