At Cannes, it’s all about the standing location. 😁 What’s this, the third story about the length of time people have clapped a film at this year’s event?
Why the F does this man deserve any more airtime than he already gets? It’s too much already.
But one insider says audiences may find “The Apprentice” to be an oddly humanizing portrait of a man vilified by half of the country.
While the same man seeks to dehumanize a big chunk of the country.
canis_majoris@lemmy.ca 6 months ago
I don’t think everyone realizes that at Cannes every film gets a standing ovation.
Megalopolis got booed, and then got seven minutes.