also shakespeare is incredibly specific. the example I like to use is the famous
“Friends, Romans, Countrymen, Lend me your ears!”
Which takes place in a crowded marketplace.
Count the syllables: 1 (friends), 2, (romans), 3 (countrymen), 4 (lend me your ears)
it’s a line in which the meter matches the intent
Bill will also often add an eleventh unstressed syllable to his dialogue lines if he wants a character to seem vulnerable or weak, indicating they have fallen off meter because of their inner
very occasionally he does an eleventh STRESSED syllable when a character is being especially dominating and murderous.
The other famous examples is when a peasant or very low status character speaks, it won’t be in verse at all, but plain prose.
Jankatarch@lemmy.world 1 day ago
Also there are other ways to poke that side of brain. Most of the good abstract art I write was under sleep derivation.
Then again, I mainly write code, but it was still up to interpretation what that snippet is even supposed to do.
Diurnambule@jlai.lu 1 day ago
I noticed the same, when tired my brain take shortcuts and is far better at fast solving, but I lack the long view in this state. Brains are amazingly interesting.
Whats_your_reasoning@lemmy.world 1 day ago
I write my best when I’m depressed. I’m okay with finding alternative routes for that, though weed isn’t one of them. I find weed helps me when I’m doing visual art, but when writing? Weed practically renders me incapable.
I now understand why writers’ usual substances of choice are alcohol and caffeine.
Diurnambule@jlai.lu 1 day ago
Redbull and vodka for devs XD.
Valmond@lemmy.dbzer0.com 1 day ago
Except alcohol, that doesn’t make pretty code.