Comment on Fossils

kwomp2@sh.itjust.works ⁨1⁩ ⁨month⁩ ago

• dohpaz42@lemmy.world ⁨1⁩ ⁨month⁩ ago

  By your logic, human existence is the point in which things exist. And by that logic, fossils wouldn’t exist. Nor dinosaurs, the earth, or even the beginning of the universe (however you believe it came to be).

  I would argue that poetry is more than the mere written word arranged in a rhyming schema. It extends to being anything that sparks creativity of the mind. e.g., The colors of the sunset reflecting off the surface of a pond that ripples from an animal jumping on the water. Surely that existed before humans?

  Now I would certainly agree that it took humans to best articulate it by being able to write (or otherwise convey) these moments into more than a fleeting moment in their memory.

  source

  • kwomp2@sh.itjust.works ⁨1⁩ ⁨month⁩ ago

    No. By my logic human existence is the point in wich poetry exists.

    Yes, we almost agree, I just argue: Poetry is not what sparks. It’s the spark.

    Sunrise exists: no poetry. Sunrise sparks someones mind: poetry.

    source

    • explodicle@sh.itjust.works ⁨1⁩ ⁨month⁩ ago

      Oh man imagine how talkative birds are at sunrise, except it’s thunderous dinosaur roars.

      source
• notabot@lemm.ee ⁨1⁩ ⁨month⁩ ago

  That argument seems to boil down to whether or not a thing can be a member of a category before that category is described and named by humans, or presumably any sentient entity. You seem to ne arguing that it can’t, I would say it can.

  Considered anything that existed before humans. Let’s take dinosaurs. They existed, but before humans came up with the name ‘dinosaur’ were they dinosaurs? I would say that the category existed even though there were no humans to describe it. Likewise with aesthetic categories, the entity exists and either fits within the category, or it does not, even if the category has not been described by humans. Thus, if you consider fossils to be poetry, they are, indeed, poetry older than words.

  If we’re nit picking the meme I would instead take issue with the concept of fossils being a memory of bones. We have fossils of plants, boneless creatures and even soft tissue from creatures with bones. Despite that, I think the meme is reasonable enough, and a fair way to look at things.

  source

  • kwomp2@sh.itjust.works ⁨1⁩ ⁨month⁩ ago

    Okay I dont know much about dino categorization, but let’s say: The category “dinosaur” is a sum of descriptions of objective properties of dinosaurs and their relation to other species’ properties (idk, no milk, thus no mammal…). Those properties and relations existed as the dinosaur existed. So I would agree: to that extend the categories existed, without us.

    Let’s say the category “poetry” describes a relational phenomenon that occurs when a combination of words or an arrangement of things (sunset, fossils) sparks an aesthetic experience.

    This is not just discovered and described by humans, but it can exclusively happen when humans are present. As with dinos: the category “poetry” didn’ exist before us. The difference I’m all about: What the category describes also did’t exist before humans. Yes, there were fossils, but they alone would have never evolved to be a part of poetry without humans, the way dinos were dinos without humans.

    source

    • notabot@lemm.ee ⁨1⁩ ⁨month⁩ ago

      I think I understand your point of view, but I would argue that even an aesthetic category such as ‘poetry’ can exist without sentient beings to experience it. Ultimately the category is not defined by the things in it, but by the criteria that define what is in it, and so the category of ‘poetry’ is populated by everything that fits a definition along the lines of: combinations of words or arrangements of things that would spark an aesthetic experience, rather than things that do spark such an experience. This is necessary if we wish to include works that have been created, and which presumably do not generate precisely those feelings in the author, but which have not yet been experienced by others yet. I would suggest we should include such works from creation, rather than them suddenly becoming poetry when first experienced by an audience. If we use the latter definition, who creates the poety, the author or the first audience?

      source
• kwomp2@sh.itjust.works ⁨1⁩ ⁨month⁩ ago

  To the haters: I dont question your experience of (this) poetry. That I would be sorry for.

  I questions the hypostasis, that is declaring your experience of the thing as a property of the thing.

  source