astronaut_sloth
@astronaut_sloth@mander.xyz
- Comment on Academic writing 1 month ago:
This is why I believe scientists should be required to take liberal arts classes; especially related to written and spoken language.
And yes, I also think liberal arts students should be required to take some level of hard STEM classes (not watered-down “libarts-compatible” stuff, but actual physics, chemistry, biology, etc) as well.
Yes to both points! I’m eternally grateful to my high school AP English teachers for teaching me how to write and communicate.
My somewhat unpopular opinion is that we’d be better off as a society if everyone in college took “real” STEM and liberal arts classes. The STEM folks can understand the why and societal implications of what they study (as well as just communication), and the liberal arts types can learn a bit about how the world actually works in a concrete way.
Unfortunately, I’ve been continually struck by how incurious people are. I get that everyone has their interests, but that shouldn’t be to the exclusion of all other study. So, I don’t think this will happen. :/
- Comment on The Official Teaser Trailer for Star Trek: Section 31 Is Here 3 months ago:
Yes-ish. The characters were villains, but the organization wasn’t necessarily. For instance, in Discovery season 2, Leland and his crew were the villains, but Section 31 was portrayed less as an extremist cabal and more as a misguided morally-grey organization. Less a blight upon the Federation and more an uncomfortable, but integral, part of it.
@setsneedtofeed@lemmy.world captures it well. Instead of being a cabal of extremists doing illegal and immoral things because they think they’re connected to a higher purpose, they’re a semi-official CIA-like organization.
I guess what I’m trying to say is that Section 31 isn’t supposed to be a cool or semi-legitimate organization (with ships, insignia, etc.) but rather shadowy and absolutely beyond the pale of legitimacy where very few can stomach what they do. From an artistic/thematic POV, Section 31 should be there to show us that a good society requires work to maintain and that its undoing can come from within by those claiming to protect it by eschewing that society’s values. In other words, the ends don’t justify the means.
- Comment on The Official Teaser Trailer for Star Trek: Section 31 Is Here 3 months ago:
It should be a conspiracy of like-minded individuals that exists parasitically within Starfleet, not an official (or an “unofficial official” agency).
I agree. When 31 was first introduced, and Sloan explained that Section 31 was sanctioned by Starfleet under Article 14, Section 31 of the Starfleet Charter, the implication was that they were people who misinterpreted or construed a (probably minor) part of the Starfleet Charter and used it to justify damn near anything.
Personally, I hate how Section 31 has been changed to be misunderstood, cool good guy/anti-hero types who are doing the wrong things for the right reason. DS9 had it right with portraying them as the villains within who should be snuffed out because the ends don’t justify the means.
- Comment on Cillian O'Sullivan To Play Roger Korby in Strange New Worlds – Trek Central 4 months ago:
Same. SNW has been an interesting pattern for me. The powers that be will make creative decisions that I find dubious when announced (Kirk, musical episode, La’an being related to Khan), but each time, the show pulls it off. I think Paul Wesley has done a really good job, “Subspace Rhapsody” is just so much fun, and La’an is literally my favorite character on SNW.
- Comment on Star Trek Is Showing More Love To Scott Bakula’s Enterprise 5 months ago:
I see your point, but I still don’t think the scene works, but thinking about it like that makes it much more watchable. My point is that the scene is simultaneously poignant and a throw-away. It’s a “big deal” but also just one scene.
By the 32nd century, something like that should be such a non-issue for humans, that it would be like stating just another fact about yourself (amnesia and trust-issues aside), which lends itself to being a throw-away…but that defeats the purpose of the scene. Again, I am all about the message and Stamets’ reaction, but it felt very 21st century and on-the-nose.
I’d have preferred if Adira were just non-binary from the beginning and maybe have a quick correction of someone when they were misgendered. Or, let that scene be the reveal of something else, like the symbiont. With that change (I’d have to rewatch the season to see where this scene was in relation to the symbiont reveal), I think the scene would still work while tightening up the writing. I also think it’d get the message across, too.
Now, if the writers really wanted that scene to stay as-is, there are options. Make them an alien from a culture not as enlightened (which would cause other issues) or have this scene play into a bigger theme of Earth backsliding post-Burn (like a Dark Ages) to have mores closer to the 21st century and show the 23rd century crew as horrified by it and work to bring Earth and humanity back toward enlightenment.
This kinda sums up my main problem with Disco. There were great options on the table to realize a concept, but they just wrote it in an awkward way that is unsatisfying (at least to me).
- Comment on Star Trek Is Showing More Love To Scott Bakula’s Enterprise 5 months ago:
It’s not that Disco isn’t progressive; it’s just lazily progressive. Case in point: the scene that bothers me to this day is Adira coming out as non-binary, just beyond cringe-worthy and very 21st century. As a viewer, the scene read like Adira was waiting to be judged harshly for their identity, and it just totally took me out of the era. By the 32nd century, I’d expect that being judged harshly for one’s gender identity would be at least a millennium behind us, and the conversation should either have not happened or been so matter-of-fact that it was treated as nothing. I get what the writers were trying to do, and it fell so flat and felt so bluntly obvious. I’m all for the message, but the delivery was not great.
The saddest thing about Disco to me is that there were great ideas and great intentions, but the execution of those ideas was so poor. Really, it just shows that you can have great actors, great directors, and great concepts, but if the writers can’t make it work, it just all comes apart.
- Comment on [deleted] 5 months ago:
The original paper itself, for those who are interested.
Overall, this is really interesting research and a really good “first step.” I will be interested to see if this can be replicated on other models. One thing that really stood out, though, was that certain details are obfuscated because of Sonnet being proprietary. Hopefully follow-on work is done on one of the open source models to confirm the method.
One of the notable limitations is quantifying activation’s correlation to text meaning, which will make any sort of controls difficult. Sure, you can just massively increase or decrease a weight, and for some things that will be fine, but for real manual fine tuning, that will prove to be a difficulty.
I suspect this method is likely generalizable (maybe with some tweaks?), and I’d really be interested to see how this type of analysis could be done on other neural networks.
- Comment on pick your side 6 months ago:
Blue or green for me. Never could find a proper teal folder.
- Comment on I figured this article might find interest here | Star Trek Opinion 11 months ago:
I found myself nodding along to a lot that was said in this article. I also would trace a lot of recent issues to JJ Abrams’ take. What I said then is still (I think) true today: “They are good movies, but they aren’t good Star Trek movies.” Discovery and Picard suffered for it, but I think that the ills are being corrected. My hope is that Paramount greenlights “Legacy” as the TNG-spiritually-successor as SNW is the TOS-spiritual-successor.
Where I will disagree, though, is that Star Trek isn’t broken. Five-ish years ago, I would have said that, but after SNW, Lower Decks, and Picard season 3, I think the powers that be have a better understanding of what is needed. We were in a bit of a “dark-ages” from 2006-2020, but I think we’re back on the upswing. We may not be quite at 1990s golden age Trek, but we can get close.
- Comment on Finally some decent ad copy! 1 year ago:
Now this is the content I subscribe for! Thank you!
- Comment on Finally some decent ad copy! 1 year ago:
I took a stab at it. Transliterated, it says: “Qapla’. Qu’Dunvad ghunwl’ DlSam.” I ran it through Bing’s translator (since the only word I recognize is Qapla’), and I got “Success. Your baby better is done.” I think the translation is wrong. When I was playing with another translator, it gave me “Success. For the glorious battle has begun” which seems more fitting.
- Comment on A real tweet from Walter Koenig yesterday. Anyone planning on seeing him at GalaxyCon? 1 year ago:
No lie, he seems like such a cool dude. If I were in the area, I’d totally go to see him. And while I first knew him as Chekov, I grew to love him as Al Bester on Babylon 5, truly some of his best work!
- Comment on Episode Discussion | Star Trek: Strange New Worlds | 2x09 "Subspace Rhapsody" 1 year ago:
Right there with you on 10 episode seasons. I wish we could go back to 22 episode seasons.
- Comment on Episode Discussion | Star Trek: Strange New Worlds | 2x09 "Subspace Rhapsody" 1 year ago:
I love Star Trek, and I love musicals. These are two of my favorite things, and I never thought they should mix. When this was announced, I was very skeptical. I have to say, that they pulled it off, and it was AMAZING! The plot was a bit meh and definitely made to shoehorn in the musical, but the singing really did it for me. “How Would That Feel” (La’an’s solo) and “Keep Us Connected” (Uhura’s solo) were my favorite songs, and I have listened to them so much today. “How Would That Feel” definitely cemented La’an’s place as my favorite character.
