I mean, he’s picked plenty of bangers.

Sometimes there’s scheduling conflicts. Sometimes a director casts a wide net, knowing he’s going to get a bunch of rejections. Sometimes you get roped into a project as a favor or a quid pro quo (Vin Disel coming back for a cameo in FF: Tokyo Drift to get Chronicles of Riddick made, only to end up making nine more movies and counting) and it changes your career.