Not paywalled, you can just click "No thanks" on the popup.
I completely and totally agree with the article that its current manifestation is in crisis, but I’m much less sanguine about the outcomes. The problem with the theory presented here, to me, is that it’s missing a theory of power. The attention economy isn’t an accident, but the result of the inherently political nature of society. Humans, being social animals, gain power by convincing other people of things. From David Graeber (who I’m always quoting lol):
Politics, after all, is the art of persuasion; the political is that dimension of social life in which things really do become true if enough people believe them. The problem is that in order to play the game effectively, one can never acknowledge this: it may be true that, if I could convince everyone in the world that I was the King of France, I would in fact become the King of France; but it would never work if I were to admit that this was the only basis of my claim.
In other words, just because algorithmic social media becomes uninteresting doesn’t mean the death of the attention economy as such, because the attention economy is something innate to humanity, in some form. Today its algorithmic feeds, but 500 years ago it was royal ownership of printing presses.
I think we already see the beginnings of the next round. As an example, the YouTuber Veritsasium has been doing educational videos about science for over a decade, and he’s by and large good and reliable. Recently, he did a video about self-driving cars, sponsored by Waymo, which was full of (what I’ll charitably call) problematic claims that were clearly written by Waymo, as fellow YouTuber Tom Nicholson pointed out. Veritasium is a human that makes good videos. People follow him directly, bypassing algorithmic shenanigans, but Waymo was able to leverage their resources to get into that trusted, no-algorithm space. We live in a society that commodifies everything, and as human-made content becomes rarer, more people like Veritsaium will be presented with more and increasingly lucrative opportunities to sell bits and pieces of their authenticity for manufactured content (be it by AI or a marketing team), while new people that could be like Veritsaium will be drowned out by the heaps of bullshit clogging up the web.
This has an analogy in our physical world. As more and more of our physical world looks the same, as a result of the homogenizing forces of capital (office parks, suburbia, generic blocky bulidings, etc.), the fewer and fewer remaining parts that are special, like say Venice, become too valuable for their own survival. They become “touristy,” which is itself a sort of ironically homogenized commodified authenticity.
t3rmit3@beehaw.org 8 months ago
I think this is underestimating or even misunderstanding how entertainment works in our brains. The same game/movie/book produced once by humans, and once by computers, will not be enjoyed differently by our brains. No one watches the credits of a movie for that sweet dopamine hit of knowing it was made by real people.
If the assertion is that computers will never be able to produce a video game or movie or book that a human would actually enjoy for any period, I think that is extremely naive; many thousands of people enjoyed Pong for years, and ChatGPT actually can write a working Pong clone right now. I would be surprised if it couldn’t write the kind of infinite-runner games that people still spend hours a day playing on their phones, with only a little debugging needed.
And this is just in the last 4 years, really. 20 years from now? Hoo boy, AI is going to be being used for a LOT of stuff that people do as jobs now (to our collective detriment).
They will never let it get there. They will restrict AI use by third parties and users, in favor of their own AI content creation (or curated third party content), so they can keep strict control over how authentic their content feels. TikTok and Twitter don’t curate content themselves now, because their whole model is letting others do it via “popularity”. If the content that others produce is hurting their business, they’ll ban that content in favor of content they control.
Are they?
I must have missed the part of the headline where they say that TV sucks. Most people still watch TV, even young people (they just don’t all do it on a TV).
This is already recognized by society at large. The problem is that it’s not translating into legislation, and legislation is the only way to control corporations. Just look at the state of book publishing; ebook platforms are absolutely destroying the industry, largely unbeknownst to buyers (and unbeknownst by design, because corporations know that buyers would be upset if they knew).
The real question is whether society will come to realize that unending, corporate profit-seeking (which enriches one at the expense of others), and healthy societies (which are based on mutual cooperation), are mutually exclusive goals.
howrar@lemmy.ca 8 months ago
Responding to your first two paragraphs:
The enjoyability of a piece of art isn’t independent of the creator. I will only speak for myself since I don’t know other people’s experiences. When you see something that tickles the happy part of your brain, part of that emotional response is in knowing that there’s another person out there who probably felt that way and wanted to share those feeling with you. In experiencing those emotions, you also experience a connection with another human being. The knowledge that you’re not alone and someone else out there has experienced the same thing. I wouldn’t read through the credits because I don’t care who that person is. I just care that this person existed. When you look at AI generated work and it just feels empty despite the surface beauty, this is the missing piece. It’s the human connection.