StillPaisleyCat@startrek.website 5 days ago
I wasn’t positively impressed by the direction from Valerie Weiss in this episode.
Others have remarked about the tone being all over the map in this episode.
That’s a fair assessment in my view but it’s not a fault in the writing per se. Comic levity in the midst of intense drama goes back to Shakespeare and even Greek theatre, and certainly isn’t uncommon in episodic Trek.
But somehow it felt like the great pieces of the episode just didn’t quite come together. It doesn’t feel like the fault was in the editing or writing.
Paul Wesley’s portrayal of Kirk was excellent but at this point, I’m going to give the actor the credit over the director.
This is just the second episode directed by Weiss. The previous one was Ad Aspra Per Aspera which was a very different challenge for a director. What they needed was a director like Frakes who can do both the comic and the serious.
ValueSubtracted@startrek.website 5 days ago
Yeah, I’m glad that the episode has been quite well-liked overall, but it didn’t land right with me. I’m going to give it another look at some point - often, my opinion shifts once I have an understanding of what the episode is and is not.
It’s interesting that she highlighted the tonal challenges in the interview.
StillPaisleyCat@startrek.website 5 days ago
Yes, I’m not saying she’s not a capable director, but she doesn’t seem to have been the right choice for this episode.
Looking across the distribution of directors used for SNW, as well as Discovery and Picard, there definitely seems to be particular ones that are consistently asked back for specific tones.
Maja Vrvilo directed the season 2 finale Hegemony Pt I and the season 3 one New Life and New Civilizations. In season 1, she directed Children of the Comet.
Jordan Canning directed Charades last season. This season she was given Wedding Bell Blues and Four and a Half Vulcans.
ValueSubtracted@startrek.website 5 days ago
I think the script deserves some scrutiny, too.
I’m not one to complain about “quippiness” or whatever - humour in the face of danger is fine! - but there were a couple of moments on the Farragut* in particular that bumped me, with the characters seemingly shifting from somber to lighthearted from moment to moment.
Anyways, I don’t want to turn this into a second episode discussion thread, but it’s pertinent to the interview.
StillPaisleyCat@startrek.website 5 days ago
I’ve got a rewatch upcoming with my spouse so I’ll take another look at if from that angle.
Perhaps that can help sort out whether the episode might have been handled better by another director.
Interestingly, I find it’s the Trek actors turned directors that manage mixed and shifting tones well. Frakes in directing First Contact, Dawson in directing The Andorian Incident, Robert Duncan McNeill directing Body and Soul are examples.