Genuinely great scene. So is the phone call with Aurelio (“I heard you hit my son”), another excellent setup and play on expectations. And Perkins’ death which is one of the most memorable ways to kill off a powerful antagonist.

The concept worked best when we as the audience expected the world to function familiarly, and it could playfully subvert those expectations in small ways.

This is exactly it. By 4, the world is so nonsensical that it barely resembles the first. I view the first in a vacuum because the others actually harm it— why did the police even bother showing up in the circus world of the sequels where shootouts happen in the open? They also stopped with the playful subversions and I think tried to rely on the nonsense world to keep it light. I hadn’t actually seen the playfulness put to words, but you nailed it.

I’m glad the filmmakers probably had fun but the sequels can’t capture the almost believable action, genuinely decent plot, and emotional payoff. That and the general tone was totally discarded. I still watch 2 and 3 sometimes for the choreography, but damn if they don’t pale compared to the first.