Comment on Has the live-service dream crashed back down to earth? | Opinion

• MoreZombies@aussie.zone ⁨1⁩ ⁨day⁩ ago

  When I think of Games as a Service, I think of things like:

  "The crux of the Newell’s address focused on the concept that direct communications with customers, transparency, and constant updates are the best ways to maximize profits from a product. In this way, Valve views its products as a service rather than a finished project. When the company shipped Team Fortress 2, work wasn’t done. Rather, the team said, “Now we can start.” The team has then gone on to ship 63 updates – which include anything from bug fixes to new game modes – to the game in just over 14 months. This can directly result in increased sales that would normally taper off over time. As Newell put it, “When you want to promote your product, you’re going to use your customers to reach new customers.” " www.ign.com/…/dice-2009-keynote-gabe-newell

  Games as a Service I think of as an overarching concept based around the idea of service not stopping at the point of sale. After that, the different approaches are almost “sub-classifications”.

  There are those games that are touted as “Live Services” - when I use that term, I think of games that provide ongoing content, and maintains the game servers in exchange for varying streams of income. These are games that will typically “stop working” when the official servers go down. I consider games like Anthem and Loadout to be examples of Live Services in this respect. Games like World of Warcraft I consider Live Services, but I go one further and call those “subscription services”, since they require the subscription to play and in theory this is the main income that funds the game staying online.

  The way I see it, all Live/Subscription Services fall under the Games as a Service banner, but not all Games as a Service will necessarily be either. To me, it’s more nuanced than one general classification, especially with the way things blend together these days; games can have multiple income streams (subscription, microtransactions, battlepasses, season passes, so on), as well as multiple forms of content delivery (free updates, expansions, DLC).

  The lines have been blurred further with “early access” and “incomplete” titles being released that have constant content updates simply to get to a release state. However, these types of games have those stars that typically shine through. Such as No Mans Sky or (contentiously) Fallout 76.

  tl;dr To me GaaS is the literal idea of treating games as more than a one-time product, but evolution in how content is delivered and monetized have lead to many different approaches. Unfortunately, the normalized ones (the maliciously monetized and despair-inducing) are so far apart from the “good ones” like L4D2, that it is difficult to consider that they are both actually examples of “Games as a Service”.

  It’s long and I’m sorry.

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  • partial_accumen@lemmy.world ⁨1⁩ ⁨day⁩ ago

    Games as a Service I think of as an overarching concept based around the idea of service not stopping at the point of sale. After that, the different approaches are almost “sub-classifications”.

    By your definition, we’ve had Games-as-a-Service since the dawn age of home PC gaming.

    This is a game called Temple of Apshai. It was released in 1979 for TRS-80 and Commodore PET home computers. The years ahead would see it released on Apple II, Atari, Commondore 64, and others.

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    Two years later in 1981 this paid expansion kit (software addon) was released (for Apple II and TRS-80). To use the expansion, you needed to own the original game. It added on additional maps and levels to play using the same game engine as the original. This would seem to match your definition of “not stopping at the point of sale” because obtaining the expansion kit would require yet another trip to the point of sale to continue to play the new content.

    Image

    tl;dr To me GaaS is the literal idea of treating games as more than a one-time product, but evolution in how content is delivered and monetized have lead to many different approaches.

    Then what you’re citing as GaaS as a new phenomenon has been with us since the beginning.

    It’s long and I’m sorry.

    No need to apologize. I appreciate the time and you took to explain your thoughts. It gave me a more clear view of your vision, and I appreciate that understanding. Even though I only quoted a small part of your post, I read and considered the whole thing.

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    • MoreZombies@aussie.zone ⁨19⁩ ⁨hours⁩ ago

      I absolutely appreciate your response - I rarely get a chance to discuss this topic and have my ideas on it refined or thrown out through discourse. And hoo boy, it’s another long one but I love talking about stuff like this.

      I want to say first that I agree that there might be earlier games that exhibited examples of the philosophies in the definition provided by Valve back in 2008-2011 and my definition, but my stance is that digital distribution platforms made it more feasible for games to be developed in such an ongoing way and lead to it becoming a more prominent idea. A rough parallel could be drawn between the way DOOM popularized First Person Shooters, yet there were definitely games of the genre before it. Some games were developed that employ similar or the same philosophies to GaaS, but it was less common and easy (I remember getting “official” content for games by having to go to a website, find the download link, download the maps, etc) until the technology caught up.

      On Temple of Apshai, I see your points but I don’t agree that it completely breaks my ideas surrounding what makes a Game as a Service… I think I should clarify that I consider a “point of sale” to be when I have to make a purchase to have the content.

      I consider the ports and expansion to fall under points of sale, as a result. You are purchasing exactly the products as boxed, and nothing else takes place beyond that exchange. You have the product to play, the developer’s obligation to you is finished.

      Expansions are an arguable bit of grey area, since they do technically build upon the earlier game, but I still think of that as a straightforward point of sale; The only content is that which you buy, with no additional content or service provided by the developer beyond them. I consider Diablo 2 and the Lord of Destruction expansion to be an early example of GaaS, since after the points of sale the game received additional content (I think to online play only).

      I acknowledge the water definitely gets muddied with this digital age. Some games receive a stream of paid expansions over time, like Borderlands or Fallout 3. However, I struggle to consider these to be Games as a Service - these items are all independent points of purchase. If a game has a mix of paid and free content updates, then I’d consider it a GaaS because of the things other than the paid DLC/expansions.

      I know that my ability to word my ideas is flawed and limited to my own vocabulary, and there are undoubtedly issues with my definitions. I don’t think my ideas are completely without merit though, and believe I just need to refine them somewhat, which can only be done through beholding a plucked chicken.

      Also it is 7am and I should sleep.

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