Comment on Why SAG-AFTRA’s Streaming Revenue Sharing Proposal for Casts Was Flatly Rejected by AMPTP
scrubbles@poptalk.scrubbles.tech 1 year agowhich initially reading sounds like “I mean that’s fair”, but then no actually it’s not. It’s not their fault studios keep rejecting good ideas for movies and instead doing reboots ad neaseum, sequels of sequels, and boring bland flat stories. If studios are so worried about failures… maybe they need to stop making such crappy movies instead of blaming actors.
Lauchs@lemmy.world 1 year ago
I agree with you in spirit but…
Those crappy movies make billions… The good movies are the risky ones!
Look at last year, of the top grossing movies the top one that was an original (non comic book, sequel or remake) was the 11th most porofitable (and Chinese so unsure if it was actually original.) The next? 16th overall, Elvis. Which pulled in 287 million, or about 12% of Avatar 2’s take.
This year, well, we’ll see what Barbie pulls but right now the top 9 box offices are all remakes, comic book movies or sequels.
So we can blame the studios all we like but our wallets seem to betray us, making those crappy movies the profitable ones.
Zorque@kbin.social 1 year ago
Elvis was still part of a trend, though. While not an actual sequel or remake, it follows in the footsteps of prior successful musician-based biographical dramas like Rocketman or Bohemian Rhapsody.
Acid@startrek.website 1 year ago
Hey at least the top gun sequel was actually good. I don’t think Sequels should be branded as crap movies by default, Sure F&F X and so forth are garbage but there are some genuinely good sequels too.
Zorque@kbin.social 1 year ago
Just because it wasn't dogshit doesn't mean it was good. It was generic crap with a decent production value that appealed to a wide audience.