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BorgDrone@feddit.nl ⁨3⁩ ⁨days⁩ ago

You’re like the audiophile’s evil twin (I’m kidding). The audiophile insists on purism, only 2.0, and you are waaaay on the side of the spectrum.

No, actually I’m not. I have a nice 2.0 system as well for listening to music. The 5.1.4 system is in my living room with my TV. The 2.0 system is in my bedroom where I can chill out on my bed while listening. I also have a nice set of headphones with a separate DAC for listening to music.

That is a big part of mixing, because I want as many people to enjoy my music and the music I mix for other people as possible.

Sure, but that’s a completely different use-case. Movies are mixed for theaters, people don’t need to spend a fortune on equipment to enjoy that mix, they just need to buy a movie ticket.

Movies, however, are frequently available past their premieres. Maybe this is greed on the part of the artist, that they sell the movies, even though they know that it is impossible to truly enjoy the movie without the very specific audio setup it was created with?

Not the artist, the publishers. They want to wring every dollar out of it they can. The people actually creating movies don’t care about people watching the movie on TV at all.

A good example of this attitude: your movie can’t even be nominated for an Oscar unless it has been in theaters. I.e. a movie that’s not made for theatrical release isn’t even worth considering.

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