Comment on Off topic
hunnybubny@discuss.tchncs.de 2 days agoa/v receiver
didnt setup your surround system
I got a soundbar. Some look at this like a luxury. You are expecting a receiver?
Comment on Off topic
hunnybubny@discuss.tchncs.de 2 days agoa/v receiver
didnt setup your surround system
I got a soundbar. Some look at this like a luxury. You are expecting a receiver?
BorgDrone@feddit.nl 2 days ago
Sound bars are not worth the money, you can get a better setup for what you pay for a half decent one. They only exist because they have a high WAF.
I expect an A/V receiver with at least 5 speakers and a subwoofer. With the left/right front speakers being 2 full-range floor-standing speakers.
Ideally, you want a 7.1.4 setup.
Brunbrun6766@lemmy.world 2 days ago
Okay moneybags
Uebercomplicated@lemmy.ml 2 days ago
You’re like the audiophile’s evil twin (I’m kidding). The audiophile insists on purism, only 2.0, and you are waaaay on the side of the spectrum.
I have created, mixed, and mastered music. Half of doing that has been creating really cool sounds on my 2.1 monitors (which sound like shit because they’re monitors) and then spending hours trying to get that same sound on other systems. Not just Kilobuck headphones and megabuck surround sound systems, but also $15 earbuds. That is a big part of mixing, because I want as many people to enjoy my music and the music I mix for other people as possible. I am not so pretentious and arrogant that I insist that everyone who listens to this music do so on my exact speaker setup (that would be the closest to “as the artist intended”).
I have also created pieces for multichannel audio systems. These pieces get exhibitions, and are not available for purchase as audio recordings. Because no one can recreate those exact multichannel systems the way I designed them.
Movies, however, are frequently available past their premieres. Maybe this is greed on the part of the artist, that they sell the movies, even though they know that it is impossible to truly enjoy the movie without the very specific audio setup it was created with?
BorgDrone@feddit.nl 2 days ago
No, actually I’m not. I have a nice 2.0 system as well for listening to music. The 5.1.4 system is in my living room with my TV. The 2.0 system is in my bedroom where I can chill out on my bed while listening. I also have a nice set of headphones with a separate DAC for listening to music.
Sure, but that’s a completely different use-case. Movies are mixed for theaters, people don’t need to spend a fortune on equipment to enjoy that mix, they just need to buy a movie ticket.
Not the artist, the publishers. They want to wring every dollar out of it they can. The people actually creating movies don’t care about people watching the movie on TV at all.
A good example of this attitude: your movie can’t even be nominated for an Oscar unless it has been in theaters. I.e. a movie that’s not made for theatrical release isn’t even worth considering.
Uebercomplicated@lemmy.ml 2 days ago
Interesting. See, I don’t want to spend a few thousand on good bookshelf or tower speakers and then spend a few thousand again on a surround system. Especially when a surround system has no real benefit over good stereo speakers (as I mention in a different comment). I would rather either save the money or spend that money on a better stereo system. But you seem to have no issues with spending large amounts of money on several different audio systems. The thing is, most people do. Most people would — if they are going to spend quite a bit of money on speakers in the first place — rather spend that money on one set of speakers. Not several. And it so happens to be that stereo speakers are generally quite a bit more flexible and quite a bit better value than surround systems. But you do you.
<satire>Headphones also work with binaural recordings, and thus will give you the best possible sound stage and 3D audio, far superior to any multichannel speaker system. It will also give you a more accurate frequency response, and be closer to “what the artist intended.” So you should probably switch to that. I can recommend the Sennheiser HD 800S for sound stage, since that is something you seem to care particularly much about.
I would recommend you get a treated room, though, if you’re taking audio seriously. Or really just a whole new building, with sound insulation in the walls; that’s the only good way to do it. Property is quite cheap nowadays, and you don’t need to get nice land anyway. Building costs aren’t too bad either. Get a farm somewhere out in the country, rebuild with proper insulation — maybe even add an anechoic chamber for good measure.
And you’ll need a Class A amp, a discrete multibit DAC for proper dynamic range, a good DDC to avoid jitter, a better streamer since your TV audio is probably crap… and have you taken measurements of your room’s reflections to ensure that spatialization and crosstalk aren’t issues? Have you checked for signal jitter for all of your system clocks? Are you using I²S for audio transmissions? Otherwise, you aren’t getting proper spatialization and experiencing the movie properly. And you’ll want silver speaker cables too, to avoid distortion and noise. Otherwise you just aren’t getting the real experience. Truly a disrespect to the artist. Why would you even bother watching a movie or listening without silver speaker cables and I²S data transmission.
</satire>In all seriousness, I frankly think that what you are saying is a little pretentious. Actually very pretentious. You are, in effect, gatekeeping movies and the enjoyment of said movies. One doesn’t need the perfect setup to still enjoy something; though, judging by your previous comments, you do, which I don’t envy. I’m an audiophile and have spent more money on headphones, amps, DDCs, DACs, room treatment, etc. than I am willing to admit.
I did not, however, grow up with money and I don’t have a particularly high-paying job right now either. I have just been willing to give up a lot in life in favor of audio quality. HiFi brings me joy. Somewhere inside of my heart, I feel similarly to you about audio for music. When someone listens to a album I particularly love on a crappy car system or airpods, or — god forbid — JBL headphones (my arch enemy), it hurts me a little on the inside. But I also understand that not everyone is willing to spend as much money on HiFi as I do (I spend more on HiFi than on cycling, which is a crazy expensive hobby). And I think that they should still be able to enjoy what they choose to listen to on whatever it is that they were able to afford (or where tricked into buying by marketing staff and sales).
I think that is analogues to what you describe with movies. I think that people should be allowed to still enjoy what they watch on whatever they were able to afford. And I frankly think it is poor-shaming and discriminatory for people like you to insist that what ordinary people are doing is invalid. I still recommend music to my friends and family, despite knowing that they are listening to it on $20 earbuds and can’t hear anything below 150 Hz.
(I am actually currently traveling and only have $20 IEMs I bought out of curiosity with me. They really, really suck. But… somehow — and I really don’t know how this is possible — I am still enjoying my music library. Inexplicable… I guess, give me the choice to never listen to music again or only listen on crappy IEMs, and I would pick the IEMs… not so sure about you.)
It would be okay to mention that whoever you are talking to might enjoy the movie more with DTS:X, and that they should see it in the cinema if they can, but I don’t think it is okay to force that onto people. All you are doing is hurting people and making them feel bad about how they watch the movies they love. Let them love those movies and please don’t try to ruin their experience. Live and let live.
Clearly, though, we are very different people. We disagree on a fundamental level. I think it best to end this conversation here.
hunnybubny@discuss.tchncs.de 2 days ago
Ideally I dont care.