The difference is that Hollywood was actually at a much weaker position for a number of reasons. The first is that the nature of the business means the production house had many projects in the can, waiting to release. This meant the impact of the strike could be rode out for longer before releases began being impacted by the strike. In comparison as soon as UAW closes down a shop the big 3 start losing money.

The second is Hollywood was up against wall street, there was a strong interest by investors to break up the strike, not just in Hollywood but in all industries. The reasoning is that labor wins translate to more labor fights, they want to demoralize any attempt to get a fair share and reduce profits. UAW is in a stronger position today than the writers and actors were when they started, so why is Fain pumping the breaks when he could be building more momentum (for both his members and the labor movement at large) with a full strike?

You might disagree but my criticism is a valid one, moral within the union isn’t great and it would be easy to fix by fighting together.